Lars Lentz Audio™

Techniques in electronic music and audio production.

Category: Equalizers

  • Master Field Recording: Techniques for Realism and Distinctive Style

    It is easy to both over- and under-process field recordings. Each has drawbacks, and a skilled recordist balances both while keeping the sound realistic and taking inspiration from others, but never copying. Last Updated: 29-September-2026

  • Master Chains

    Each individual approaches the art of mastering music in their own unique way, influenced by their personal experiences, preferences, and the genres they are passionate about. I thought it might be beneficial to share my process in hopes of inspiring some ideas for others who are on a similar journey. This post serves as a…

  • How to Replicate Biosphere’s Shenzhou Track Using Loops and a Few Effects

    I like Biosphere’s (Geir Jenssen’s) music very much and one of my favorite albums is Shenzhou. The album is made up of repeated looping of Debussy orchestral track samples. The title song is particularly interesting to me as I like the depth and width of the sound. I was able to figure out how to…

  • Using EQ Matching and References to Create Great-Sounding Tracks

    Using a reference track when mastering is a kind of standard practice, but it can be done much better with the wonderful EQ matching functions found on so many equalizer plugins. Here’s what I’ve tried and how it’s worked out for me. Last updated: 10-July-2023

  • Replicating Background Noise – Susumu Yokota’s, Saku

    It may seem strange to want background noise in a recording, but it gives it a certain realism as opposed to the cleanliness of a digitally-mastered DAW creation. I like the sound I hear in the background of Susumu Yokota’s Saku from his Sakura album, so I was able to replicate it using common pink…

  • How to Make Convincing Disintegrating Tape Loops in a DAW (no tape)

    For the aspiring tape loopers out there, I’m sure I speak for us all when I say that we’d all like to have the time to play around with splicing tape into loops and recording through a four-track. But when this is not possible, here’s an easy alternative right in your DAW.

  • Simulating a Real-World Piano After having been to Budapest and found an 1896 C. Bechstein piano in the lobby of The Continental Hotel, I’ve learned much more about how I can make the same sound of it or any other piano within Pianoteq or via other vst instruments and effects. But, in fact, I aim…